Anne-Lise Stenseth
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  • Under songen ligg steinen
  • Veggar som kviskrar / Whispering Walls
  • Pessimistiske kardinalsetningar / Pessimistic Cardinal Principles
  • Av Helene/Of Helene book/installation
  • The First Cut Is The Deepest
  • Produksjonslinjer/Production Lines
  • Svevestøv/Suspended Dust
  • Notes On Political Economy
  • Ljoske / La lueur / Gleam of Light
  • Qvela peri – Ara peri DSCF/DSC series
  • Omveg / Detour
  • The Kiss And Waste Project (TKWP)
  • Rest In Piece(s)
  • Video 2008-1999
  • Dukke med Downs syndrom / Doll With Downs Syndrome
  • Trisomy 21, portretter / portraits
  • Trisomy 21, installasjon / installation
  • House Of Difference
  • RAUD GRØN SAU / RED GREEN SHEEP
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The First Cut Is The Deepest
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The First Cut Is The Deepest, 1998-2018, poster. Dimension variable. Contribution to Between the Lines – the artists’ response to #MeToo.
Picture
Between the Lines – the artists’ response to #MeToo. Reception Gallery at the Oslo National Academy of the Arts
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118 artists took part in this group exhibition, as a reaction to #MeToo.
​They wish to help raising awareness of the problematic power dynamics still at play in society and its institutions.
The exhibition was initiated by the Academy of Fine Art at the Oslo National Academy of the Arts, 2018

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© Anne-Lise Stenseth/Bono